Ketsu: The fourth panel is the conclusion, in which the effects of the third panel are seen. Ten: The third panel is the climax, in which an unforeseen development occurs. Shō: The second panel develops upon the foundation of the story laid down in the first panel. First introduced in 1902 by the Japanese artist Rakuten Kitazawa, Yonkoma strips typically follow a structure known as Kishotenketsu: Ki: The first panel forms the basis of the story it sets the scene. The format has been used across various Japanese publications including manga magazines, newspaper comics and more recently in web comics. Yonkoma (4コマ漫画) manga refers to vertically-oriented comic strips featuring four panels of equal size.
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